Originally designed to be paired with YamahaвЂ™s Electone line of organs, it employs a very different style of achieving the rotary tone than a traditional Leslie. That amp is the Yamaha RA-200 rotary speaker. The second amp used on вЂњComfortably NumbвЂќ is slightly more unconventional, but is considered by many to be the вЂњsecret sauceвЂќ to achieving GilmourвЂ™s tone. I use a Laney Cub 12R 15-watt half stack, but you can easily get away with using a Fender Blues Jr., or even a Hughes & Kettner Tubemeister.Дavid GilmourвЂ™s amps backstage on The Wall tour in 1980 Hi-Tone and Reeves are two excellent companies that build Hiwatts to Dave ReevesвЂ™s original military-spec standards, but you donвЂ™t necessarily need a Hiwatt to get this tone-just a high headroom tube amp with a good clean tone. There are many faithful recreations of the Hiwatt that are true to their legacy, however, the modern branded Hiwatts pale in comparison, (that is a long-winded tale for another time). High headroom doesnвЂ™t necessarily mean a loud amp, it just means you will need more power to reach breakup. They have a lot of mid presence, which helps them cut through the mix, and when paired with mid scooped single coil pickups the Hiwatt is a force to be reckoned with-a high-headroom amp with the same character is what you need to get you in the ballpark. Hiwatts are famous for their extremely powerful clean tone, high headroom, and piano-like sustain and harmonics. David strung his guitars with GHS Boomers, and he used heavy gauge teardrop picks.ДЄs far as amps, David used a few to achieve his tone. A normal Strat pickup can do it, but it wonвЂ™t have the same focused midrange. If you donвЂ™t have one, a vintage-style PAF or P-90 can get very close. The SSL-5 (or similar) is very important to getting this tone. This bridge pickup has a higher output than most Strat bridge pickups, and a more pronounced midrange response, almost like a cross between the meat of a humbucker and the snap and clarity of a single coil. LetвЂ™s dive right in.Дavid used his famous black Strat on вЂњComfortably Numb.вЂќ It went through a lot of changes over the years (you can learn about the history of the black Strat in Phil TaylorвЂ™s book), but when it was time to record The Wall, the black Strat had a вЂ™69-style single coil in both the neck and middle positions and a custom wound Seymour Duncan SSL-1C (the modern production version is the SSL-5) in the bridge. It is one of the Holy Grails of guitar tone, combining sheer power, emotion, and well-implemented effects to create the вЂњwall of soundвЂќ (no pun intended) that we know and love today. But as guitar players, вЂњComfortably NumbвЂќ has an entirely different side that casual listeners or fans can understand. Still being played on classic rock stations all over the world, and still hailed as one of the greatest guitar solos of all time, вЂњComfortably NumbвЂќ has solidified itself in the annals of rock history through a continued relevancy to each generation that listens to it, even more so in todayвЂ™s world. Nestled smack dab in the middle of a powerful story of a burned-out rock star and the struggle with his personal demons, one will find GilmourвЂ™s powerful statement and interpretation of isolation, disillusion, and clawing at the wall that separates one from being true to oneself. With the advent of Rattle That Lock, David GilmourвЂ™s newly announced solo album, and a world tour on the horizon, I thought now would be an excellent time to tackle the powerful tone of one of David GilmourвЂ™s seminal solos-вЂњComfortably NumbвЂќ.

David gilmour cab mic